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Dec22

Frat Boy At the Movies: Slumdog Millionaire

by tonyd on December 22, 2008 at 10:05 am

Director Danny Boyle who has given us 28 Days Later and Trainspotting returns with this epic movie about love in Mumbai India.  The movie is just about to go out of arthouse film theaters and I say, get there before it does.

I think movies and stories work best when they teach you something about the world where it takes place.  This movie teaches you something about India.  I’ve never been to India, but watching the main character’s life over 10 years or so, I felt like I had.    When you compare this movie to say, The Day the Earth Stood Still, you see the former for the lumbering, special-effects filled lummox it is.  Slumdog has heart, story, passion and fun.  TDTESS feels like everyone was just rushing to collect a good pay day.

(minor spoilers ahead)  Without trying to give the entire movie away, Slumdog centers around Jamal.  He and his brother Salim grow up in the most impoverished section of Mumbai, with only their mother to protect them.  But in present day, Jamal is being tortured by the cops because they think he cheated on India’s version of Who Wants to be a Millionaire.  But some of the answers came to Jamal because of events that happened in his life and there’s a more important reason he’s on the show.

In flashback, we follow Jamal and Salim’s life on the streets.  They eventually meet up with Latika and Jamal falls in love with her.  But, as kids, Salim is jealous and prevents Latika from following them after a particularly harrowing experience with Indian gangsters.  As the years grind on, Jamal gets a job, but his brother becomes a gangster and it all comes to a head in classic fashion

And just like all Indian movies, there’s a dance number at the end, but its at the credits so it doesn’t interupt the story.

I got hooked on this movie.  It goes from two kids litterally living in a pile of trash to the heights of fame and fortune in India.  There’s also a great sequence at the Taj Mahal too.  Maybe if you’re an expert on India or lived in India for a long time, this movie might not ring totally true, I don’t know.  But it worked for me and I felt a real sense of what people, especially poor Muslims, must have to go through to live there.

Overall, a really solid movie to take a chick to see and you won’t be bored either bros.  (Salim does kick some ass.)  I give this movie 9 kegs out of 10.

└ Tags: Frat Boy at the Movies, Slumdog Millionaire
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Dec15

Frat Boy At the Movies: The Day the Earth Stood Still, Dude

by tonyd on December 15, 2008 at 10:38 am

This is a remake of the 1951 classic of the same name.  So the question is, as it is with any remake, is why remake it?  Well, certainly the special effects in 1951 weren’t much.  A guy in a robot suit standing silent doesn’t quite cut it today.  However, the remake goes way overboard.

First, let’s look at the synopsis of the story (spoiler warning):  In 1928 one of the fancy balls of lights drops out of the sky and encounter Keanu as a mountain climber.  He touches the ball and it disappears, cut to 2008 and the balls are back.  So why did the ball first arrive in 1928?  It’s explained that the aliens needed a DNA sample and that the Keanu that we see in 2008 is actually a grown body for the main alien, Klaatu.

So Klaatu arrives and the soldiers shoot him, just like in the original.  But the difference is this:  In the 1951, Klaatu arrives and looks like a guy in a suit that will sell you Bibles or something.

In 2008, he arrives in a ball of light in the middle of Central Park, New York City, and it looks scary and foreboding.

Which one would you shoot at first?  As someone I was with at the movie pointed out, 1951 audiences might’ve been just as freaked out by the 1951 version, but I don’t agree.  The first looks like a couple of guys that are not very far from human.  The second is a giant ball of light the size of a city block.  This kind of undercuts the theme of “Man is a violent creature” by justifying the violence somewhat.  Hell, the light is so bright, whoever shot Klaatu might’ve not even been aiming at him.  In the 1951 version, it’s very clear the soldier shot Klaatu because, well, he might be a commie or something.

Anyhow, Klaatu is taken in and his shell kind of melts off leaving Keanu underneath.  The doctors call it some kind of placenta space suit.  Keanu looks as he did when he came out of the Matrix.  (Is that some kind of call back?  It’s sort of like the director is paying attention to unimportant details, while the important details fall by the wayside.  But I digress.)  One of the doctors is Jennifer Connelly.  She ends up sneaking a sample out.  When Kathy Bates arrives as the government tool that will probably take Klaatu off to be tortured, Jennifer Connelly helps the alien escape.

The rest of the movie is about Klaatu using his various alien powers and trying to decide whether the human race should live or die.  The problem is, the movie is constantly undermining itself.  Connelly helps Klaatu escape by switching what would be a drug to knock him unconscious, but Klaatu doesn’t need it and escapes anyway.  So what was the point of that?

And Klaatu has all these powers, but Jennifer Connelly has to drive him around.  He eventually meets up with another alien that’s been living on the Earth for 70 years, which I guess sort of explains the opening.  Anyhow, he reports that the humans are violent and dangerous, but that he loves them.  Klaatu is going to wipe out the humans, but the second alien is going to stay and doesn’t seem to worried about dying.  Again, nothing explained.

Later, Jennifer Connelly (who by the way, is very talented and hot as Hell) gets recaptured by the army and Cathy Bates.  Klaatu is left behind with the subplot, played by Will Smith’s son, Jaden.  The kid is the step son of Connelly, but he just looks disinterested for most of the film.  In a scene with Keanu, he’s walking through the woods and walking through the woods and suddenly is crossing a bridge.  The moment you see the bridge, however, you realize its probably just there so he can almost fall off it and Klaatu can save him.  And that’s exactly what happens.

Director, Scott Derrickson, whose previous movies include the Exorcism of Emily Rose and Hellraiser: Inferno, just doesn’t seem to know how to set a mood.  There’s no nuance.  No explanation of things that happen in the movie.  For instance, Klaatu kills a cop and then brings him back to life because the guy “didn’t mean him any harm”.  But then later in the movie, he uses his alien powers to blow up two helicopters, killing both crews.  And suddenly, the sample that Connelly stole earlier becomes crucial to heal Klaatu, the cop and others.  But if that stuff could heal, why didn’t it heal Klaatu when he was shot?  Why does he save Connelly and her step son, but not another character that drives them to the climatic scene?  At the end Klaatu speaks of a big sacrifice, but then we don’t see it.  Klaatu’s body is destroyed, but since its established he’s not human what does that mean?  Derrickson establishes visually the giant balls are like an arc, taking samples of all the animals before the humans get wiped out.  Then it gets explained two times.  Dude, we get it.

Of course, there’s lots of special effects with GORT the giant robot.  So if you don’t think so hard, the pacing should carry you through.  But seriously, most of the cool scenes are in the trailer.   There’s not even enough Keanu lines to say “Dude” after to make the movie funny.  It’s just kind of boring and you wish Jennifer Connelly’s acting was applied to a better movie.  Do yourself a favor and wait for cable or Netflix.  You’ll thank me.  I give it 4 kegs out of 10.

└ Tags: Frat Boy at the Movies, The Day the Earth Stood Still
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Dec14

Frat Boy At the Movies: Frost/Nixon

by tonyd on December 14, 2008 at 2:05 am

Frost/Nixon is about the famous interview by David Frost, who interviewed President Nixon after he resigned from being president.  (And yes, they can do that apparently.  If only this guy had taken that option.)  Directed by Ron Howard, the interview is set up as a “great battle” by two verbal sparring partners.  Nixon is desperate to preserve something of a legacy and regain the spotlight.  Frost is an up and coming Australian and English star who longs again for the limelight of the States, something he lost years earlier.

Spoilers (well, kinda.  I mean, this did actually happen.)  First, there is (thankfully) no Frank Langella nudity and if you’re looking for beer chugging, special effects or cool action scenes, perhaps you really ought to reread the synopsis of the movie.  In the set up, Frost has bet everything, his money and his entire career on an interview that he believes will be worldwide, but only if he and his team can get Nixon to confess some sort of culpability to his Watergate scandal and his criminal activity.  Nixon loves a good scrap and even though he’s starting to show some wear and tear, he tears Frost a new on early on in the first interviews.

Fortunately, Ron Howard’s direction moves things pretty well.  Again, there’s no explosions or car chases, but it’s interesting to see the lengths both men go to make this interview work for their goals.

Kevin Bacon plays one of Nixon’s cronies, trying to keep the old man on course.  The drama unfolds with Frost’s research team (Sam Rockwell and Oliver Platt) wants to nail Nixon in the interview.  But Frost, so distracted by trying to get sponsors for the interview and a network to air it, doesn’t really do his homework.  There’s also a scene in which Nixon calls Frost the night of one of the interviews and tips his hand because he’s drunk.  If you want to know whether or not it really happened, click here, but I suspected as much.

Overall, for a movie about a TV interview, I thought it was pretty good.  I didn’t even mind the mock documentary style of “interviewing” some the characters.  Quite frankly, I’ll go see just about anything Sam Rockwell is in, so take my bias for what its worth.  Plus, sadly, I am old enough to remember Nixon.  People who weren’t around during that era may not understand the anger, even after he resigned.  (Imagine 1/4th of Bush’s crimes, but most people actually giving a shit.  At some level, the political apathy of today kind of undercuts the imapct.)  Ron Howard’s attention to detail is great and he uses archival footage well.  (Maybe not as well as in Milk, but pretty good.)  Frank Langella’s Richard Nixon is spot on.  He’s a crafty scroundrel that finally reaches his limit.  If you like history, go out and see it and if you get stuck in a history class and have to watch it, you could do a helluva lot worse.  I give it 7 out of 10 kegs.

└ Tags: Frat Boy at the Movies, Frost/Nixon
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Dec11

Silent Devil X-mas Sale!

by tonyd on December 11, 2008 at 4:30 am

Yo, bros.

Our publisher at Silent Devil is having a sale!  For a limited time, you can get a copy of Super Frat: Rush Week Collection for only $2.50!   Also, Brother Hollywood, Homewrecker and Art Monkey (Christian Beranek, Adam Beranek and Chris Moreno) have a comic you may have heard of called Dracula vs. King Arthur!  Kick-ass knight/vampire action only $9.99 for the trade, $24.95 for the hard cover and there’s still a few single issues left if you’re missing your run!  Buy a comic for your bro!  You’ll be glad you did and we’ll be even gladder!

└ Tags: Dracula vs. King Arthur, Super Frat
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